| Abstract Collages Limited Editions of 10. These are all large collages. Once printed they will generally have multiple coatings to enhance the visual depth of the canvas. These are more on the order of Digital art than straight photos. Depending upon our mood, we usually use multiple glazes on these, making them to some extent in the category of mixed media. And as a result, each piece is to some extent unique. (See comment below on how many should an edition be) |
| Collage 1Penstemon Reflections #1 38 x 52 Pigmented ink on Canvas $950.00 limited ed of 10. |
| Collage 3. Tarantula hawks 38 x 50 stretched canvas $950.00 Limited Edition of 10 |
| Collage 2 Cat Faces 38 x 50 stretched canvas $950.00 Limited Edition of 10 |
| Four O'Clocks: This picture looks much better than this. It is very sensitive to color profiling and just does not look right profiled for a web page. You never know with photo software. This is the best jpg I've been able to get; I adjusted the color finally with a free program since I couldn't get it right with Photoshop. The free program for those who are interested is Gimp. 12. Image 12 four oclocks 38 x 50 stretched canvas $ 950.00 Limited Edition of 10 |
| Collage 5. Penstemon reflections #2 32 x 48 stretched canvas $ 950.00 Limited Edition of 10. |
| Comment The fact that some folks offer editions in the hundreds must mean that they don't do their own printing, stretching, and coating, Or they really love repetition. Except for small items on Plexiglass, 30 of one print is as many of one thing as we can stand to print. In fact we rarely print anything exactly the same way twice. Sometimes, just for variety, we use an entirely different sequence of pictures from the same session. The person who gets the print may not realize this unless by chance they were to see another version. Of course you have to like it or we take it back. We have to like it or we won't print it. Talking with one of our suppliers, we are under the impression that many people don't actually do their own work. I suppose some of this could be considered like the case of a sculptor who needs a foundery to cast large statues. Maybe we are just control freaks. We just cannot imagine having someone print our stuff. How do people who don't do their own printing stand waiting for someone else to do their work? We love the anticipation of each step: taking the photo; coming home and seeing whether you have a picture or not; watching it come out of the printer; checking it as soon as the first coating dries; and hanging the stretched or framed piece on our wall until it goes to someone. We also have over 50,000 individual shots on file. |
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